One example of the affect in a set of pieces is the preludes and fugues from J. The structural expression of emotion was therefore usually limited to one affect per piece or movement. When the doctrine is applied to music, each individual piece is expressed as a particular state or affect, such as grief, joy, tranquility, etc. In the Baroque period, the musical philosophy centered around the Doctrine of Affections, a complex theory outlining how emotions were expressed outwardly by human beings. ![]() Historically, music and human emotions have been linked closely together. Is this music for a wedding or a funeral? Is the music meant to be sung by one person as a reflective meditation or all together as a joyful chorus of praise? It also depends on the deeper social and cultural context of the piece. The songs and pieces are often composed in ways that encourage a deeper devotion to a higher power, but their “emotional power” also depends on the musician who is actually interpreting the piece. Religious music, from Southern Baptist hymns to Gnawa trance music, gains power from their spiritual contexts and traditions. We can also take this approach to other kinds of music. How does the performer deliver the national anthem? With power? With reverence? With disregard? And when the piece is performed live, there are even more dimensions to consider. You begin to make a nostalgic and habitual connection with the anthem, whether you also sing it at sporting events or have studied its significance in your history course. But if you grow up singing the song in your classroom every morning, then the piece also carries a contextual meaning. The meter and driving rhythms of a march make the anthem glorious and exciting. How does this piece of music attempt to inspire patriotism and pride for your nation? Many national anthems are written in a march style to create a sense of urgency, direction, and pride. Take for example the national anthem of your country. Why was it written, and for what or for whom is it being performed? Finally, contextual features refer to the context of a piece. Listener features are the experiences, knowledge, and personal taste of the audience. Performance features refer to the interpretation of a piece by a live performer or a recording. Structural features refer to how the composer wrote the piece, including his or her choice in melodic lines, harmonic progressions, silences, tempo, dynamics, and form. Scherer and Zentner argue that the emotions provoked by music are caused by a mix of factors, including structural features, performance features, listener features, and contextual features. ![]() Several theories outline why music has this emotionally powerful effect. Scholars have dedicated their entire lives to studying how the aesthetic, psychological, and scientific forces surrounding a performance can cause us to feel so deeply. All of these colorful instances contribute to the turbulence stirring deep inside you. It’s the rush of dopamine through your body at the moment you feel something beautiful. It’s your personal interaction with the music you are experience right now, your motivation for staying in your seat and listening, or your increasing boredom at a piece you don’t like. ![]() It’s the large ballroom design of the concert hall, the comfortable (or uncomfortable) design of your seat, and the amount of humidity in the air. It’s the way the performer moves her hands on the stage or adjusts the volume of his sound. When you listen to a concert, there’s a lot going on- and it’s not just the notes.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |